August 2, 2012
“This is the essence of the popular arts in America: Be a magpie, take from everywhere, but assemble the scraps and shiny things you’ve lifted in ways that not only seem inventive, but really do make new meanings. Fabrication is elemental to this process—not fakery, exactly, but the careful construction of a series of masks through which the artist can not only speak for himself, but channel and transform the vast and complicated past that bears him or her forward.
Integrity arises in the process of solidifying your relationship to those sources. For a journalist like Lehrer, there’s a code, and he clearly violated it. An artist like Dylan shows us a different way of operating: of using insight not to shore up a myth of originality, but to connect to all the tall tales and ghost stories that establish a culture’s character, to walk through a dreamscape whose atmosphere sticks to us and makes us who we are.”
Ann Powers, Critic and Correspondent at National Public Radio
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Nate Burgos, Content Creator & Publisher
