February 5, 2010
“As a designer, one of the things that fascinates me about photography is camera language. In design, we talk a lot about creating visual grammar through choices of color, line, form and typography. These are the building blocks we use to create a grammatical system with which to construct visual communication.
In photography, the same concept is referred to as camera language (although in practice, the term is more frequently used when discussing cinematography and filmmaking). As in design, color, line and form are important elements that help define a visual grammar. But technical and mechanical forces are also at work: lighting and lens choices, film speed, paper choice, aperture settings, shutter speed and camera angles are all mechanical controls you can use to define a signature camera language. …
Through manipulation of equipment, color, lighting and composition, it’s amazing how a photographer can establish a distinct visual language and then, using different mechanicals, add what can best be described as visual linguistic dialects.”
Callie Neylan, Assistant Design Professor at the University of Maryland and National Public Radio Alum
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