March 6, 2013
“After ‘The Evil Hour’, I did not write anything for five years. I had an idea of what I always wanted to do, but there was something missing and I was not sure what it was until one day I discovered the right tone—the tone that I eventually used in ‘One Hundred Years of Solitude’. It was based on the way my grandmother used to tell her stories. She told things that sounded supernatural and fantastic, but she told them with complete naturalness. When I finally discovered the tone I had to use, I sat down for eighteen months and worked every day.”
Gabriel García Márquez, Author
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What began as a collection of links has evolved into a comprehensive archive committed to creative culture—offering so far 395 interviews with under-the-radar Artists, Designers & Makers, in addition to 202 write-ups across events, books, movies, more. Free to explore. Free from ads. If you gain a level of motivation, knowledge, even delight, from Design Feast, please support on Patreon. Thanks for your consideration!
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