August 13, 2010
“It seems all the more imperative, nowadays, to fashion books that are compelling, because there is so much more distraction they have to resist. To me, now, to do something new is not to develop a form for the novel that has never been seen on earth before. It means to try to come to terms as a person and a citizen with what’s happening in the world now and do it in some comprehensible, coherent way.
We are so distracted by and engulfed by the technologies we’ve created, and by the constant barrage of so-called information that comes our way, that more than ever to immerse yourself in an involving book seems socially useful. The place of stillness that you have to go to to write, but also to read seriously, is the point where you can actually make responsible decisions, where you can actually engage productively with an otherwise scary and unmanageable world.
There were a couple of years when I could enjoy blowing off a workday and going bird-watching, followed by some years in which I came to realize that because my purpose on earth seems to be to write novels, I am actually freer when I'm chained to a project: freer from guilt, anxiety, boredom, anger, purposelessness.
I’m already losing sleep, trying to figure out how to lock myself inside a big novel again.”
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